Arts & Culture

In the grounds of Auschwitz, commandant Rudolf Höss and his family live in luxury. As unspeakable atrocities unfold in the concentration camp, the family members go about their lives - wilfully ignoring the ever-present sounds of terrible things happening just over their garden wall.

The Zone of Interest - director Jonathan Glazer’s first film since 2013’s Under the Skin - is a deeply unsettling, masterfully directed cinematic study of the banality of evil. Loosely based on the novel by Martin Amis, Glazer’s film refuses to show the audience the atrocities of the Holocaust. Instead, we’re kept at a devastating, chilling remove - artfully enhanced by pristine camerawork, extraordinary sound design and an eerie, bone-shaking score from Mica Levi.

Tuesdays with Morrie is adapted from the phenomenally popular first novel by Mitch Albom. It is an autobiographical story of Mitch Albom, an accomplished journalist driven solely by his career, and Morrie Schwartz, his former college professor. Sixteen years after graduation, Mitch happens to catch Morrie’s appearance on a television news programme and learns that his old professor is battling Lou Gehrig’s Disease. Mitch is reunited with Morrie, and what starts as a simple visit, turns into a weekly pilgrimage and a last class in the meaning of life. It is a heart-warming exploration of friendship and life. It will make you cry but above all it will make you laugh.

Grand Slam Champion storyteller Mary Kate O Flanagan comes to the Watergate on 4 May with a storytelling workshop from 10am - 1.30pm.

Mary Kate returns to the Watergate on Friday 10 May with 'Making a Show of Myself'. This show has earned standing ovations and stellar reviews, contains six of her award-winning true-life tales, woven together with insights into why storytelling is an essential part of being human.

A reflection on ageing. The memory and anticipation of ordinary traumas and tragedies. The histories that are embedded in the way you feel your movement. The sufferings of others that have stuck to the skin, the bones the ligaments and which you carry with you. The inevitability of a continuing, perhaps pathetic, conversation with yourself... between yourselves... about who you are, who you have been... who you still might become...

The skeleton of this solo is made out of a series of letters between Anton and Anton, the protagonist of this solo. Letters about different topics related to different fears, ageing and desire. The material of the solo varies from movement scenes, to videos and text. What all materials have in common is a poetic sense to reveal some of the more hidden and deeper layers of the protagonist.

Benno is 65... maybe not such an age these days... but for a dancer? Maybe the intimations of ageing come earlier and more subtly for someone for whom movement is their art; but everyone moves, so maybe the dancers story is just a refined version of everyone’s.